21 notes
(Source: seeyoulateraggregator)
MONUMENTS
Our monuments
are ambiguous
they are shaped like a pit
our monuments
are shaped
like a tear
moles
built our monuments
under the earth
our monuments
are shaped like smoke
they go straight to heaven
1958
”This is not to say that words can make a dictatorship collapse overnight. But words certainly can make a dictatorship collapse over time, as experience during the last two decades has shown. Totalitarian regimes are built on lies and can be damaged, even destroyed, when those lies are exposed. The greater and more detailed evidence that can be provided, the more damage the truth can do.”
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives. But it is something you cannot possibly escape: your psychological make-up is such that you are inclined to look back over your shoulder. Memory, even if you repress it, will come back at you and it will shape your life. Without memories there wouldn’t be any writing: the specific weight an image or phrase needs to get across to the reader can only come from things remembered.
“All over the place, from the popular culture to the propaganda system, there is constant pressure to make people feel that they are helpless, that the only role they can have is to ratify decisions and to consume.”
― Noam Chomsky
rehearsal 28.02 and 4.03
We place THE CROSS
In the corner
behind the wardrobe.
It is becoming weird now.
Since it is really located in THE ROOM,
so not at its usual place (eg. in the church, at the cemetery).
Placed in the middle of the scene, “formally”
it wasn’t there in the room, although surrounded by walls and furniture -
It was at the scene, where everything can happen
and everything is explainable (…).
Everything happens in the room.
This one, not any other room –
Crucifixion, Last Supper,
and the military manoeuvre, war, Doomsday.
- Tadeusz Kantor, Writings 1975-1984